Internet Harassment The Flip Side of Internet Fame

In the article The Flip Side of Internet Fame by Jessica Bennett, Internet harassment is thoroughly made aware to inform active social network users of its solemnity. Real life scenarios of people who suffered from public humiliation or social desecration are presented. Bennett makes her argument conclusive by addressing her audiences pathos and ethos appeal, sourcing credible individuals throughout the article and stressing the agony and ignominy that the listed individuals perceived. Furthermore, the author demonstrates how critical it is to be conscious about the possibility of not recovering from a fatal encounter on a social network and also raises the question: â€Å"Whats to stop a person from posting whatever he wants about you, if he†¦show more content†¦Adding on, a student from Lewis and Clark University was even labeled as a rapist after another individual publicly accused him of sexually assaulting another student. This allegation of the victim led to the destr uction of his stable reputation. Today, in a Google search, anyone can input his name â€Å"and the first entry has the word â€Å"rapist†Ã¢â‚¬ (115). The reader is somewhat forced to posses some scent of solicitude when realizing the embarrassment these individuals ached upon. Bennetts firm desire to inform her audience of such petrifying yet valid truths of public shaming, urges the reader to question whether or not Internet fame is a burden. Along with her informing situations, Bennett overawes her audience by encrypting her article with credible individuals making it obliging to appeal to the readers ethos appeal. Introduced in the article, Jim Cohen is an ethicist from Fordham University School of Law in New York. One logical point he makes is that the â€Å"anonymity of the Net encourages people to say things they normally wouldnt† (114). In other words, when people are sitting behind their computers at home by themselves, they are callous and feel as though they are protected from any wrong-doing they may pursue while online. Cohen acknowledges a site called â€Å"JuicyCampus†(114), which consist of numerous and vicious rumors that are posted anonymously and that anyone who hasShow MoreRelatedProject Mgmt296381 Words   |  1186 PagesSan Jose, CA. The A’s need the new stadium to turn around lagging attendance, which has been at or near the bottom among major league baseball clubs. —BBoA , 2009 COMPANY: NINTENDO Project: Next Generation Nintendo Wii Game Console According to Internet rumors, the new console will be based on entirely new hardware that will pump out HD visuals, contain expanded storage, and run using digitally distributed content rather than physical discs. The new console will expand the capability of Wii’s revolutionary

Biography of Thomas Cole, American Landscape Painter

Thomas Cole was the British-born artist who became known for his paintings of American landscapes. He is considered the founder of the Hudson River School of painting, and his influence on other 19th century American painters was profound. Cole’s paintings, and paintings by those he taught, are known to have influenced attitudes toward American expansionism during the 19th century. The glorification of the land and the panoramic views encouraged optimism toward settling the vast lands of the West. Cole, however, had a pessimistic streak which is sometimes indicated in his paintings. Fast Facts: Thomas Cole Known For: Founder of Hudson River School of painters, admired for his majestic landscapes of distinctly American sceneryMovement: Hudson River School (American romantic landscape painting)Born: Bolton-le-Moors, Lancaster, England, 1801Died: February 11, 1848 in Catskill, New YorkParents: Mary and James ColeSpouse: Maria Bartow Early Life and Career Thomas Cole was born in Bolton-le-Moors, Lancaster, England, in 1801. He studied engraving briefly in England before emigrating to America with his family in 1818. The family arrived in Philadelphia and resettled in Steubenville, Ohio, where Coles father established a wallpaper engraving business. After becoming frustrated working in the family business, Cole taught art in a school for a brief period. He also received some painting instruction from a traveling artist, and tried striking out on his own as an itinerant portrait painter. Portrait of Thomas Cole, American painter. Smithsonian Institution / Wikimedia Commons / Public Domain Cole realized he needed to be in a city with many potential patrons, and returned to Philadelphia, where he painted portraits and also found work decorating ceramics. He took classes at the Philadelphia Academy and, in 1824, had his first exhibition, which was held at the school. In 1825 Cole moved to New York City, where he began to focus on romantic landscapes, the beautifully lit panoramas that would become his enduring style. After taking a trip up the Hudson River, he painted three landscapes, which were displayed in the window of a Manhattan art store. One of the paintings was purchased by artist John Trumbull, who was widely known for his paintings of the American Revolution. Trumbull recommended that two of his artist friends, William Dunlap and Asher B. Durand, purchase the other two. Trumbull appreciated that Cole had been inspired by the wildness of American scenery, which other artists had seemed to ignore. On Trumbulls recommendation, Cole was welcomed into New York Citys cultural world, where he became acquainted with luminaries such as poet and editor William Cullen Bryant and author James Fenimore Cooper. Travels and Inspiration The success of Cole’s early landscapes established him so he could devote himself to painting full-time. He began to travel in the mountains of New York State and New England after purchasing a house in Catskill, New York. Photograph of Catskill Mountain House, a painting by American landscape artist Thomas Cole. Francis G. Mayer  / Getty Images In 1829 Cole sailed to England on a trip financed by a wealthy patron. He made what was known as the Grand Tour, visiting Paris, and then Italy. He stayed for weeks in Florence before going on to Rome, hiking much of the way. He eventually returned to New York City in 1832, having seen major works of art in Europe and having sketched scenery that would be used as material for landscapes. In 1836 Cole married Maria Barton, whose family lived in Catskill. He settled into a fairly comfortable life as a successful artist. The self-made gentry of the region admired his work and purchased his paintings. Major Works A patron commissioned Cole to paint five panels which would be known as The Course of Empires. The series of canvases essentially predicted what would become known as Manifest Destiny. The images depict an allegorical empire, and proceed from Savage State to Arcadian or Pastoral State. The empire reaches its zenith with the third painting, The Consummation of Empire, and then descends to the fourth painting, Destruction. The series ends with the fifth painting, titled Desolation. Thomas Coles The Course of Empire - Consummation, 1836, oil on canvas, 51 Ãâ€" 76 in, New York Historical Society.   Fine Art / Getty Images During the 1830s, as Cole was painting his Course of Empires series, he was harboring gravely pessimistic thoughts about America, lamenting in his journal that he feared the end of democracy. One of his major paintings, dating from 1836, is titled View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm — The Oxbow. In the painting, a pastoral area is shown along with a portion of untamed wilderness. On close examination, the artist himself can be found in the middle foreground, on a promontory, painting the Oxbow, a bend in the river. In his own painting, Cole looks out over the tamed and orderly land, yet he is located in the wild land which is still darkened from the passing storm. He shows himself in communion with untamed American land, perhaps purposely keeping a distance from the land which has been transformed by human society. View from Mount Holyoke, Northampton, Massachusetts, After a Thunderstorm -- The Oxbow.   Getty Images Legacy Interpretations of Coles work have varied over time. On the surface, his works are generally appreciated for their majestic scenes and striking use of light. Yet there are often darker elements present, and many paintings have dark areas which seem to raise questions about the artists intent. Coles paintings show a profound reverence for nature, which can appear idyllic or wild and violent within the boundaries of the same canvas. While still a very active artist, Cole became ill with pleurisy. He died on February 11, 1848. His influence on other American painters was profound. Sources Thomas Cole. Encyclopedia of World Biography, 2nd ed., vol. 4, Gale, 2004, pp. 151-152. Gale Virtual Reference Library.Hudson River School of Painting. American Eras, vol. 5: The Reform Era and Eastern U. S. Development, 1815-1850, Gale, 1997, pp. 38-40. Gale Virtual Reference Library.The Hudson River School and Western Expansion. American Eras, vol. 6: Westward Expansion, 1800-1860, Gale, 1997, pp. 53-54. Gale Virtual Reference Library.

Review Jester Jackpots General Information Essay

Review 8 - Jester Jackpots Review Jester Jackpots General Information Introduced to the public by 888 Group, the name that brought you numerous other popular online gambling sites, Jester Jackpots is one of 2016’s newer casino online offerings. On seeing the big name behind this online casino, players are amped up for big rewards - with good reason of course. Jester Jackpots promises a truly vibrant and fun casino experience with amazing promotions and an incredible game selection, so players definitely won’t be let down with this one. After reading the aforementioned, you can see that the hype surrounding Jester Jackpots is nothing short of huge, but much like other online casino fans we have heard it all before. We could certainly forgive players for taking the press releases surrounding Jester Jackpots with a pinch of salt. Question is, does Jester Jackpots have what it takes to prove the doubters wrong? Can it really go on to become an online brand for the years? Jester Jackpots Lobby and Design On arriving at Jester Jackpots, the attractive design of the site appeals immediately to your visual senses. The colour scheme of the site ties in beautifully with its theme, and an array of fun graphics are at play. Shades of yellow and teal are first noticed in the navigation bar found at the top of your screen. Here, buttons for ‘Login’ and ‘Registration’ are found to the right, with the logo of Jester Jackpots to the far left. The logo combines simplicity and

Migration Of People From Rural Essay - 852 Words

Migration is the movement of individuals from one place to another, which could be internationally and domestically. In this essay I will examine the patterns formed through internal migration of people from rural to urban places, which is considered to be the most significant form of migration. Migration of people is considered to be a choice or force of movement. This movement has many consequences at a level of the individual and the country as a while itself. (National Geographic Xpeditions, 2005) Populations in cities continue to grow through the migration of people from diverse locations. It has become more evident that urban places are more desirable compared to rural places as they are more accessible and provide features, which are preferred by most. A rural area is considered to be a geographic region where landscapes are considered to be open and population density is very low. An urban area is a geographic region where the location of everything is concentrated, population density is substantial and accessibility is maximised. (Morrison, 2015) Individual consequences. Originally the main cause, which led to urbanization and inter migration to cities, was the industrial revolution. People who live in rural areas often lack resources and are often pulled towards an urban place. Today this is mostly encouraged through social media, where people are believed they can live a richer life. There are many consequences that have impacted individuals socially,Show MoreRelatedThe Effect of Rural-Urban Migration in South Africa Essay1682 Words   |  7 Pageseffect of rural-urban migration on the four districts of the North West province in South Africa using Manova technique. INTRODUCTION This proposal is about the effect of rural-urban migration on the four districts of the North West province in South Africa. 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Batter My Heart, Three-person’d God by John Donne Free Essays

The poem â€Å"Batter My Heart, Three-person’d God† by John Donne is a prayer to God from the poet. Donne is a struggling sinner, and the poem is his desperate cry for help. He wants God to be in his life, no matter how difficult and painful it is, and desires to be everything God wants him to be. We will write a custom essay sample on Batter My Heart, Three-person’d God by John Donne or any similar topic only for you Order Now The poem gives a sense of Donne’s complex relationship with God. It is apparent that he is in the midst of a struggle with good and evil, and begins with a plea to God to enter his heart by any means necessary and rid him of the evil that has taken over. Donne uses graphic and violent imagery throughout the poem as a way of showing his utter desperation. This imagery is used in an exaggerated way to convey Donne’s strong desire for God, as well as implying that there is something else that is hindering his ability to allow God in himself. In using the metaphor â€Å"batter my heart† in the first line, Donne is implying that he wants God to use his power like a battering ram to enter his heart. This gives a strong indication that there is some unknown force – be it sin, evil, or the devil – preventing Donne himself from allowing God to enter. He refers to God as the â€Å"three-personed God,† alluding to the Bible’s teaching of God as the Father, the Son, and the Holy Spirit. Donne’s complaint is that God is not being aggressive enough in how he is dealing with him; the Father knocks, the Holy Spirit breathes, and the Son shines his light upon him, but Donne wants him to use his power more aggressively to â€Å"mend† him, help him become â€Å"new,† and force the evils out of him. The progression to violent imagery shows Donne’s desperation; he no longer wants God â€Å"knock,† but is asking him to â€Å"break† the door down, not simply â€Å"breathe† but to â€Å"blow,† and not â€Å"shine,† but to â€Å"burn. The use of alliteration with the words â€Å"break,† â€Å"breathe† and â€Å"blow† help in drawing attention to their severity, and emphasizing the extent of Donne’s desperation. He believes that in using these destructive actions, God will free him from his weaknesses and make him new again. In the second quatrain, it becomes clear that the first four lines are meant to be taken metaphorically, rather than literally. Donne likens his heart to a city that has been overtaken, and he wants God to be aggressive in taking it back. This expands upon the indication of the unknown force; Donne’s heart is the city that has been taken captive, and God is the savior that he wants to break down the gate and take it back by force. It becomes obvious in this quatrain that the previously unknown force holding Donne back is his sense reason and rationality. He shows that even his mind has failed him in his attempts to be close with God. Donne’s reason is what should be fighting for him in his battle and defending him, but instead is captured, shows weakness, and even lies to him. He suggests that although he believes God is the rightful ruler of his heart, his rationality has been impaired such that he cannot defend Him and let Him in. The sestet begins with further reinforcement of the notion that Donne wants God back in his life, no matter how difficult it may be. He begins by stating that even though his spiritual life is currently in a state of struggle, he still has a deep affection of God and wants to love and be loved by Him. His state of desperation is the result of this struggle. Donne quickly returns to the shocking imagery that has been prevalent throughout, claiming he is â€Å"betrothed† to the enemy. This claim of engagement to the devil is a paradox; he is not actually going to marry the devil, but at the time feels unwillingly more connected to God’s enemies and their ways than to God and God’s ways. He asks God to â€Å"divorce† him, to â€Å"untie or break† the engagement he has with the devil. At the end of the prayer, Donne uses two more paradoxes to explain how deep of a connection he wants to feel with God. He begs for God to imprison him to set him free and his feels as though God’s prison is the only way in which he can be truly free of his weaknesses, and pure of evils. He also begs to be ravished and filled with delight so that he may become pure, which carries some sexual imagery. As with the metaphor in the first quatrain, this is not a literal request; he simply wants to be convinced of the power of God, so that he can have a close and loving relationship with Him. These contradictions show a deeply emotional affection towards God, and when taken figuratively are very effective in conveying his message of desperation. Although â€Å"Batter My Heart, Three-person’d God† is filled with graphic and violent imagery, John Donne is not attempting to be crude or inappropriate. Donne is simply explaining his own tremulous relation with God, and uses the violent imagery as a means to show how desperate he has become in his mission to bring God back into his life. If he allows God to do whatever it takes, even if it means pain and the loss of his very freedom, he knows God can bring him into a close, loving relationship with Him and make him into the person he thinks God wants him to be. So he can pray, â€Å"Batter my heart,† â€Å"break, blow, burn,† â€Å"imprison me,† â€Å"enthrall† and â€Å"ravish† me, for he believes his God is a loving, pure, kind, and just â€Å"three-person’d God† and he trusts Him with his very heart, soul, and life. How to cite Batter My Heart, Three-person’d God by John Donne, Essay examples

Hollywood The Chinese Theatre and The Walk of Fame Essay Example For Students

Hollywood The Chinese Theatre and The Walk of Fame Essay Hollywood is not a city but a district of northwest Los Angeles. Hollywood was once a city but the lack of a successful water supply and independant sewage system led to its merger with Los Angeles in 1910. In that same year, D. W. Griffith a director of films, came to the west coast and shot the first film in California called In Old California. He later went back to New York and told everyone of that lovely place. It was during the First World War that Hollywood became the entertainment capital of the world, all other countries were experiencing the war in the own yards while the U. S. was untouched by it. After the war, everyone around the world knew about Hollywood and people would travel from all over to be part of that magic. Hollywood is known for their films and the district uses that to its advantage. There are landmarks all over Hollywood that can be recognized by almost anyone. The Hollywood Walk of Fame, The Chinese Theater, and of course the most famous the Hollywood sign. These structures represent Hollywood and its famous culture. The have influenced Hollywood and they continue to bring people all over the world to Hollywood. These structures are the outcome of the culture of the film industry in Hollywood, and it is also a mask to the people who come here to be famous. Hollywood makes it seem that everyone can be famous and achieve stardom and that is not true. Thousands of people come here thinking that, only to realize that it is very difficult to happen. What Hollywood culture does it inspires aspiring actor and film makers to come make their dream come true. Hollywood has been in existence for many years and continues to grow culturally and population wise. 1. Hollywoodland, 1923 The Hollywood sign was built in 1923 and it originally said Hollywoodland it was built as a giant advertisement for the housing development under the mountain. In the photo above is the original lettering of Hollywoodland (Figure 1), the H would letter be replaced because of an accident. Each letter is 30 feet wide and 50 feet tall. Below the Hollywood sign there were searchlights to attract and each letter had its own lights as well. The sign was only supposed to last only 1 year and a half. Then later the Film industry used the sign and was famous internationally. It wasnt till 1949 that the land in Hollywoodland would be removed so that it meant the district not the real estate development. The Hollywood sign would later begin to collapse around 1978 spelling out Hollyweed. Stars would donate around 27 thousand dollars per letter to restore them to their original glory. That is the sign we see now today. On February 7th 1973 the sign was added to the Los Angeles Historic Cultural monument. 2. Hollywood 1978 The Hollywood sign is one of the most recognized signs in the world. It was built during the film industrys migration from the east to the west. The year 1923 was booming with many films most studios moved from New York to Hollywood because of Edisons wrath in New York. The culture was beginning for Hollywood people were beginning to notice that the central hub of the movie industry was in Hollywood. Immigrants looking to be famous, citizens looking for fame all came to Hollywood and were greeted with the sign. Once the sign was due to be removed it was never let down it had become part of the city. During 1927 and 1963 these were the years of the Hollywood Golden Age. As Hollywood started to collapse in the 1970s many things started to change. Studios were challenged financially and audience were getting tired of the same films being made. The state of Hollywood was seen through its sign. Falling apart and being neglected. The system that Hollywood had in the 1930s had all but collapsed. 3. Graumans Chinese Theater, 1973 Graumans Chinese Theatre was built January 16th 1926, and had its first premiere in May 18th 1927. The first film to premiere was Cecil DeMilles The King of Kings. Thousands came to see the celebrities and the Chinese theatre then open to the public the day after. Since that premiere at the Chinese theater, it has hosted hundreds of movie premiers. Sid Grauman decided to build the Chinese theater after his great success with his Egyptian theater. It was Graumans idea to create concrete forecourt that later would be the famous footprint forecourt. It was said that the footprints in the concrete was an accident but Grauman kept the idea. Today you can go to the Chinese theater and see footprints of your favorite celebrities. The film jaws EssayActors were no longer employed by the studios and now had to audition to be in movie from the studios. This was during the time when the Hollywood sign in figure 2 started to collapse. No longer paid a weekly-based salary but an amount to be in the film. Some stars struggled with the system and just retired. This led the way for new actors and directors to have a chance to work in the new Hollywood system. The new system gave new opportunities but people were still coming to California and not finding work. In this era, it wasnt just about coming to Hollywood to find a job. You needed to know someone who worked in the business. 65 percent of people who received jobs in the movie industry in the 1970s was through connections. Steven Spielberg was a person who got a job working with a friend as an assistant director and eventually he worked his way up. Only 10 percent of people who came to Hollywood to get a job in the industry actually got it the rest either went back home or got a job somewhere else. Another 10 percent went to go be part of the adult industry either making it there or eventually giving up. The adult industry eventually began to receive strict rules and was no longer shown in theaters the same way as films. In the 1990s Hollywood was starting a new turn with technology. By the 1990s, Chinese theater was being visited by more than a million people a year. Today the theater still has premieres and hundreds of people still go to see the stars that attend them. The Hollywood sign is the most recognizable landmark in the world and to this stay still greets everyone. Hollywood studios no longer fill Hollywood in fact the only studio to still be in Hollywood is Paramount. All the other have moved around the areas but not far from Hollywood. The Hollywood walk of fame was restored in 2008 replacing the broken stars with new ones. As of 2008 there are 2,365 stars on the walk of fame and that number continues to grow. Hollywood at its height was a dream but during the 70s and 80s it achieved its worst state. That was when Hollywood fate was uncertain, and people didnt want to invest in a future that was uncertain. The buildings deteriorated and were facing many problems. It wasnt till the 90s that when Hollywood saw a future in CGI and Digital Production that Hollywood then began to embrace the future. By 2010 all most all-historic building in Hollywood would be restored. 6. Todays Walk of Fame Hollywood is still a dream for people. A survey stated that people still dream of becoming movie stars. It has been a rough ride for Hollywood with the emergence of internet and home video Hollywood is finding it difficult to attract the same amount of people it once did in the 1920s. Hollywood for its culture and history is one of the most visited places on earth. People come all over the world to see were there famous stars have laid to rest or were they stepped in cement. There homes are shown in tours and there is no way of ignoring the presence of that Hollywood sign up on that hill. Figure 6 shows the walk of fame today. F But where ever you walk in Hollywood boulevard just look down and see the culture of Hollywood on your feet and in that star with a celebrity that changed the world in the past or in the present, but see a blank star and you can see a celebrity that is going to change the future. Bibliography: 1. Custen, George F. Hollywood History and the Production of Culture. Journal of Communication, 36.2 (1986): 123-133. 2. Jones, Janna. Channeling Hollywood. Journal of Popular Film Television, 31.3 (2003): 109-108. 3. Nardi, Peter m. The Reality of Illusion: The Magic Castle in Hollywood. Contexts, 5.1 (2006): 66-69. 4. Raesch, Monika. Alison Trope, Stardust Monuments: The Saving and Selling of Hollywood. International Journal of Communication (Online), (2012): 1894-1897. 5. McKenna, Denise. The Photoplay or the Pickaxe: Extras, Gender, and Labour in Early Hollywood. Film History: An International Journal, 23.1 (2011): 5-19. 6. Ruscha, Edward. Then Now : Hollywood Boulevard 1973-2004. GoÃÅ'ˆttingen: Steidl, 2005. 7. Jaffe, Matthew. Hollywood Palaces. Sunset, 188.2 (1992): 76.